Matthew
McConaughey is not an actor you would ever have put in the same sentence as ‘Oscar
Nominee’ five years ago. The man has spent the last twenty years making some of
the crumbiest movies ever made and he was good at it. He was a perfect fit for
the rom-com leading man, stupidly handsome with an abundance of southern charm;
he was a casting director’s dream. Throughout the late nineties and early
two-thousands he put out hit after hit of rom-com, action adventure Hollywood
garbage. The odd good movie here and there did pop up on his resume but never
was it a consistent occurrence with a Matthew McConaughey picture. When you
went to see a McConaughey film you knew what you were going to see, attractive
man meet attractive woman, she thinks he’s a pig, turns out he’s not, they get
together yada yada yada. By 2009 the traditional Hollywood rom-com was almost
all but dead in the water, since the emergence of great directors like Judd
Apatow redefining the genre and raising the game, and indie flicks like ‘500
Days of Summer’ reinventing the wheel once more, the rom-com template that
McConaughey fit like a glove was on its way out, therefore either he had to
adapt or he had to try something entirely new altogether. Enter 2011.
Since
2011, whether consciously or not, Matthew McConaughey has completely reinvented
not only his career but his entire public persona. 2011 saw the release of an
incredible movie ‘The Lincoln Lawyer’ which really blew critics away, Matthew received
rave reviews. People at the time assumed this to be a one off and that by
tomorrow the rom-coms would keep coming. But they didn’t. Every subsequent movie
he put out was an incredible critical success and yet another incendiary performance.
Now in his 40s McConaughey had made a conscious decision to gravitate towards independent
films, now that he didn’t have to worry so much about whether or not a film
would make money, he could pick the roles he wanted and simply chose a project
based on the script itself. Throughout 2011 and 2012 McConaughey received the
greatest acclaim of his career in film such as: ‘Bernie’, ‘Killer Joe’, ‘Magic
Mike’, ‘Mud’ and ‘The Paperboy’. Each film different from each other but tied
together by this thread that was McConaughey himself. The characters were
darker and more twisted, often violent and psychotic; these were uncharted
waters for the actor. He had somehow overnight, so it seemed, reinvented
himself to be one of the greatest actors of the moment, anything with his name
on it soon meant ‘quality’ where it had once only ever meant the opposite.
In
2013 this transformation is now referred to by journalists and critics as the ‘McConaughsaince’,
suggesting that the actor is in the renaissance of his life and career and currently
experiencing a rebirth. Even the public opinion of the man has changed, where
he was once found to be arrogant and vain, self involved and indulgent, he is
now seen as the ultimate Southern gentleman. How much of that former public
persona was due to the nature of his shallow, narcissistic characters he had portrayed
in all those earlier films? In 2013 it can safely be claimed that McConaughey
is man of the moment, even man of the year. After receiving critical acclaim
for his role in ‘Dallas Buyers Club’, the film has swept awards season all
across America and continues to win awards across all categories worldwide. The
man is on top of the world, gone are the days of terrible cliché roles, simplified
characters, misogynistic and objectifying, now he is working with the likes of
Scorsese, playing characters of infinite breadth and depth, complex and multifaceted,
three-dimensional and often not very likable. It’s interesting that as the
public persona of McConaughey himself continues to be very positive, the characters
he is playing on screen have never been more irreverent and deplorable.
Going
into 2014 Matthew McConaughey has the world ahead of him and complete freedom
to do whatever he wants. Everyone wants to work with him right now, Directors
and Actors alike. With a phenomenal start to the year; drenched in Award season
glory, tipped to win the Oscar and likely to continue receiving adulation and
accolade for months to come, all is coming up Matthew. In 2014 where the small
screen dominates the fading silver screen of old, every great Actor must have
their-own network TV show and McConaughey is no exception. The small screen took on
Cinema in the early 21st Century and won. As the world continues to frenzy in Netflix and HBO hysteria, every actor now must work
in TV where it was once suicide for a Hollywood star. Whether you are Kevin
Spacey, Kate Winslet, Guy Pearce, Steve Buscemi, the list goes on. Matthew
McConaughey stars in the detective drama/thriller ‘True Detective’ which has
once again received great acclaim for its first season, particularly due to
McConaughey’s phenomenal performance.
The
shift was sudden, the work keeps coming, the performances continue to surprise
us and the films just keep getting better and better. No one knows whether or
not all this was planned and calculated, whether McConaughey wanted to steer
his career in a different path, whether he was bored of his former film choices
and whether or not he will ever make another ‘traditional’ McConaughey picture.
Whatever the reasons, the actor really does seem to be in the renaissance of
his career; and at 45 Matthew McConaughey has been reborn. Long may he flourish.
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